This high energy, fun samba is full of exciting rhythmic drive. Written for 10 players, accessible and powerful mallet parts, special effects and plenty of room for improvisation, makes this a winner!
Junkyard ensembles are popular today because they are engaging, relevant, and employ styles that are familiar and motivating to students. This book includes six easy junkyard ensembles that are perfect for
Featuring four Spanish-flavored themes from Bizet's popular opera: Prelude to Act I; Habanera; Entr'Acte to Act IV and Toreador Song, this winning concert medley for
This septet presents God Rest Ye Merry, Gentlemen in a medieval style, and We Three Kings of Orient Are in a jazz style reminiscent of Coltrane.
Presenting a variety of beloved Christmas songs for an array of programming options, the settings in this collection merge the traditional eloquence of the season with fresh harmonic concepts. This makes
A great collection of classics from the masters, perfect for your next concert or festival. Includes: Cascades (Joplin); Allegro (Mozart); Valse (Chopin); Bagatelle
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The music begins with the gathering of the tribe for a festive celebration. It continues with the children at play, a mother softly singing a lullaby to her baby, and concludes with a spectacular festival
Give your percussionists the chance to play the most famous chorus ever written! John Beck has arranged Handel's Hallelujah Chorus for large percussion ensemble, including four marimbas, bells,
This Grade 2 work is performed antiphonally with two teams of three players each. The spirit of the work can be enhanced with the use of some theatrics by the performers which will result in a fun
This country-swing crowd pleaser simulates a kickin' bluegrass band from start to finish! In the half-time rock section, ad lib solo riffs by woodblocks, tambourine, and guiro (or washboard) are backed by
This octet for common instruments features a serene, enchanted, harmonized Spanish melody in a beguine style. Rhythms are limited to quarter, eighth, sixteenth and simple syncopations. Players and audiences